Margarida Isabel Esteves da Silva Pereira
AuthID: R-000-AD8
1
TITLE: Archival images of the Estado Novo in Portuguese Film: A Gendered Perspective in Brandos Costumes (1975), Natal 71 (1999) and Natureza Morta (2005)
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2024, SOURCE: Women, the Arts, and Dictatorship in the Portuguese-Speaking Context
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2024, SOURCE: Women, the Arts, and Dictatorship in the Portuguese-Speaking Context
2
TITLE: Women, the Arts, and Dictatorship in the Portuguese-Speaking Context. Tensions, Disputes, and Post-Memory Heritage
AUTHORS: Ana Gabriela Macedo; Margarida Esteves Pereira; Joana Filipa da Silva de Melo Vilela Passos; Márcia Cristina Almeida Oliveira;
PUBLISHED: 2024
AUTHORS: Ana Gabriela Macedo; Margarida Esteves Pereira; Joana Filipa da Silva de Melo Vilela Passos; Márcia Cristina Almeida Oliveira;
PUBLISHED: 2024
INDEXED IN: 
Openlibrary
Openlibrary IN MY: 
ORCID
ORCID3
TITLE: Michael Winterbottom's The Claim (2000) as a transnational and transcultural adaptation of The Mayor of Casterbridge
AUTHORS: Pereira, ME;
PUBLISHED: 2021, SOURCE: JOURNAL OF ADAPTATION IN FILM & PERFORMANCE, VOLUME: 14, ISSUE: 2
AUTHORS: Pereira, ME;
PUBLISHED: 2021, SOURCE: JOURNAL OF ADAPTATION IN FILM & PERFORMANCE, VOLUME: 14, ISSUE: 2
4
TITLE: Transnational Adaptations: The Nineteenth-Century Novel Revisited through a Transcultural Lens
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2021, SOURCE: Dialogues between Media
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2021, SOURCE: Dialogues between Media
5
TITLE: Connecting Women. National and International Networks during the Long Nineteenth Century
AUTHORS: Barton C Hacker; Joanne Paisana; Margarida Esteves Pereira; Jaime Costa; Margaret Vining;
PUBLISHED: 2021, SOURCE: A Smithsonian Contribution to Knowledge
AUTHORS: Barton C Hacker; Joanne Paisana; Margarida Esteves Pereira; Jaime Costa; Margaret Vining;
PUBLISHED: 2021, SOURCE: A Smithsonian Contribution to Knowledge
6
TITLE: Portuguese women filmmakers and the Estado novo. From invisibility to cultural memory [MULHERES CINEASTAS PORTUGUESAS E O ESTADO NOVO. DA INVISIBILIDADE À MEMÓRIA CULTURAL]
AUTHORS: Pereira, ME;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
AUTHORS: Pereira, ME;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
INDEXED IN: 
Scopus
Scopus IN MY: ORCID
ORCID7
TITLE: Introduction
AUTHORS: Ana Gabriela Macedo; Márcia Oliveira; Margarida E Pereira; Joana Passos;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
AUTHORS: Ana Gabriela Macedo; Márcia Oliveira; Margarida E Pereira; Joana Passos;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
INDEXED IN: Scopus
Scopus IN MY: ORCID
ORCID8
TITLE: Mulheres cineastas portuguesas e o estado novo. Da invisibilidade à memória cultural
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2020, SOURCE: Diacrítica, VOLUME: 34, ISSUE: 2
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2020, SOURCE: Diacrítica, VOLUME: 34, ISSUE: 2
9
TITLE: Becoming Jane e Miss Austen Regrets: representações e projeções de Jane Austen no filme biográfico
AUTHORS: Margarida E Pereira;
PUBLISHED: 2017
AUTHORS: Margarida E Pereira;
PUBLISHED: 2017
INDEXED IN: 
Handle
Handle IN MY: ORCID
ORCID10
TITLE: Transnational identities in the fiction of Monica Ali: In the Kitchen and Alentejo Blue Full Text
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2016, SOURCE: JOURNAL OF POSTCOLONIAL WRITING, VOLUME: 52, ISSUE: 1
AUTHORS: Margarida Esteves Pereira;
PUBLISHED: 2016, SOURCE: JOURNAL OF POSTCOLONIAL WRITING, VOLUME: 52, ISSUE: 1
