Adriana Alves de Paula Martins
AuthID: R-000-03S
1
TITLE: Remembrance of Acto da Primavera in Manoel de Oliveira’s Filmography
AUTHORS: Adriana Martins;
PUBLISHED: 2024, SOURCE: Exploring Film and Christianity: Movement as Immobility
AUTHORS: Adriana Martins;
PUBLISHED: 2024, SOURCE: Exploring Film and Christianity: Movement as Immobility
2
TITLE: Caring for the Common Home and Calling for a Diverse Future: Pope Francis and Byung-Chul Han in Dialogue
AUTHORS: Martins, Adriana;
PUBLISHED: 2023, SOURCE: RELIGIONS, VOLUME: 14, ISSUE: 11
AUTHORS: Martins, Adriana;
PUBLISHED: 2023, SOURCE: RELIGIONS, VOLUME: 14, ISSUE: 11
3
TITLE: Owen, Hilary and Clair Williams, eds.Transnational Portuguese Studies. Liverpool: Liverpool University Press, 2020.
AUTHORS: Adriana Martins;
PUBLISHED: 2022, SOURCE: Luso-Brazilian Review, VOLUME: 58, ISSUE: 2
AUTHORS: Adriana Martins;
PUBLISHED: 2022, SOURCE: Luso-Brazilian Review, VOLUME: 58, ISSUE: 2
4
TITLE: When the archive vomits Salazar. representations of women in contemporary Portuguese film
AUTHORS: Adriana Martins;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
AUTHORS: Adriana Martins;
PUBLISHED: 2020, SOURCE: Diacritica, VOLUME: 34, ISSUE: 2
INDEXED IN: 
Scopus
Scopus IN MY: 
ORCID
ORCID5
TITLE: Quando o arquivo vomita Salazar. Representações da mulher no cinema português contemporâneo
AUTHORS: Adriana Martins;
PUBLISHED: 2020, SOURCE: Diacrítica, VOLUME: 34, ISSUE: 2
AUTHORS: Adriana Martins;
PUBLISHED: 2020, SOURCE: Diacrítica, VOLUME: 34, ISSUE: 2
6
TITLE: Jose Saramago: History Utopia, and the Necessity of Error. Full Text
AUTHORS: Adriana Martins;
PUBLISHED: 2019, SOURCE: LUSO-BRAZILIAN REVIEW, VOLUME: 56, ISSUE: 2
AUTHORS: Adriana Martins;
PUBLISHED: 2019, SOURCE: LUSO-BRAZILIAN REVIEW, VOLUME: 56, ISSUE: 2
INDEXED IN: 
WOS
WOS7
TITLE: Sabine, Mark.José Saramago: History, Utopia, and the Necessity of Error.Cambridge: Legenda, Salisbury House, 2016. 271 pp.
AUTHORS: Adriana Martins;
PUBLISHED: 2019, SOURCE: Luso-Brazilian Review, VOLUME: 56, ISSUE: 2
AUTHORS: Adriana Martins;
PUBLISHED: 2019, SOURCE: Luso-Brazilian Review, VOLUME: 56, ISSUE: 2
8
TITLE: The archive, gender roles and the deconstruction of Salazarism in Alberto Seixas Santos’s Brandos Costumes
AUTHORS: Adriana Martins;
PUBLISHED: 2017, SOURCE: The edge of one of many circles: homenagem a Irene Ramalho Santos
AUTHORS: Adriana Martins;
PUBLISHED: 2017, SOURCE: The edge of one of many circles: homenagem a Irene Ramalho Santos
9
TITLE: The jornal português and the fallacy of portugal’s neutrality in portuguese film [El jornal português y la falacia de la neutralidad portuguesa en el cine portugués]
AUTHORS: Martins, A;
PUBLISHED: 2016, SOURCE: Quiroga, VOLUME: 2016, ISSUE: 10
AUTHORS: Martins, A;
PUBLISHED: 2016, SOURCE: Quiroga, VOLUME: 2016, ISSUE: 10
INDEXED IN: Scopus
Scopus IN MY: ORCID
ORCID10
TITLE: Introduction: Towards a poetics of conflict in film
AUTHORS: Adriana Martins; Alexandra Lopes; Mónica Dias;
PUBLISHED: 2016, SOURCE: Mediations of Disruption in Post-Conflict Cinema
AUTHORS: Adriana Martins; Alexandra Lopes; Mónica Dias;
PUBLISHED: 2016, SOURCE: Mediations of Disruption in Post-Conflict Cinema
