Ana Cristina Ferreira Mendes
AuthID: R-000-KXR
21
TITLE: Violence Framed: Remediating Images of Racialized Violence in Film
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: The Palgrave Handbook of Violence in Film and Media, ISSUE: 1
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: The Palgrave Handbook of Violence in Film and Media, ISSUE: 1
22
TITLE: Decolonising Wuthering Heights in the Semi-peripheral Classroom
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: Decolonising the Literature Curriculum
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: Decolonising the Literature Curriculum
23
TITLE: Gendered Rage. A Postcolonial Reading of Commercial Gestational Surrogacy in India
AUTHORS: Lisa Lau; Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: Journal of Global Postcolonial Studies, VOLUME: 9, ISSUE: 1
AUTHORS: Lisa Lau; Ana Cristina Mendes;
PUBLISHED: 2022, SOURCE: Journal of Global Postcolonial Studies, VOLUME: 9, ISSUE: 1
24
TITLE: Mona Montages
AUTHORS: Ana C Mendes;
PUBLISHED: 2022, SOURCE: Dayanita Singh: Dancing with My Camera
AUTHORS: Ana C Mendes;
PUBLISHED: 2022, SOURCE: Dayanita Singh: Dancing with My Camera
INDEXED IN: 
Handle
Handle IN MY: 
ORCID
ORCID25
TITLE: The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters' Afrosurrealist music video
AUTHORS: Mendes, AC; Wacker, J;
PUBLISHED: 2021, SOURCE: POSTCOLONIAL STUDIES, VOLUME: 24, ISSUE: 4
AUTHORS: Mendes, AC; Wacker, J;
PUBLISHED: 2021, SOURCE: POSTCOLONIAL STUDIES, VOLUME: 24, ISSUE: 4
26
TITLE: The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt's legacy in Shakespeare Wallah and The Last Lear
AUTHORS: Mendes, AC;
PUBLISHED: 2021, SOURCE: TEXT AND PERFORMANCE QUARTERLY, VOLUME: 41, ISSUE: 3-4
AUTHORS: Mendes, AC;
PUBLISHED: 2021, SOURCE: TEXT AND PERFORMANCE QUARTERLY, VOLUME: 41, ISSUE: 3-4
27
TITLE: From “Crisis” to Imagination: Putting White Heroes Under Erasure Post-George Floyd
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2021, SOURCE: Cultural Studies ↔ Critical Methodologies, VOLUME: 21, ISSUE: 5
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2021, SOURCE: Cultural Studies ↔ Critical Methodologies, VOLUME: 21, ISSUE: 5
28
TITLE: Twenty-First-Century Antigones : The Postcolonial Woman Shaped by 9/11 in Kamila Shamsie's Home Fire
AUTHORS: Ana C F Mendes; Lisa Lau;
PUBLISHED: 2021, SOURCE: Studies in the Novel, VOLUME: 53(1)
AUTHORS: Ana C F Mendes; Lisa Lau;
PUBLISHED: 2021, SOURCE: Studies in the Novel, VOLUME: 53(1)
INDEXED IN: Handle
Handle29
TITLE: The Cumulative Victorian and Neo-Victorian Fandoms of Penny Dreadful
AUTHORS: Ana C Mendes;
PUBLISHED: 2021, SOURCE: Filming the Past, Screening the Present, VOLUME: 44
AUTHORS: Ana C Mendes;
PUBLISHED: 2021, SOURCE: Filming the Past, Screening the Present, VOLUME: 44
INDEXED IN: Handle
Handle IN MY: ORCID
ORCID30
TITLE: Urban redevelopment, the new logics of expulsion, and individual precarity in Kleber Mendonca Filho's Aquarius and Aravind Adiga's Last Man in Tower
AUTHORS: Mendes, AC; Lau, L;
PUBLISHED: 2020, SOURCE: CULTURAL GEOGRAPHIES, VOLUME: 27, ISSUE: 1
AUTHORS: Mendes, AC; Lau, L;
PUBLISHED: 2020, SOURCE: CULTURAL GEOGRAPHIES, VOLUME: 27, ISSUE: 1
