ProfileOfResearchers

TITLE: Refracting fundamentalism in Mira Nair's The Reluctant Fundamentalist (2012)
AUTHORS: Ana Cristina Mendes; Karen Bennett;
PUBLISHED: 2016, SOURCE: American Cinema in the Shadow of 9/11

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TITLE: ‘The man be more of woman, she of man’: Disfarce e Travestismo em The Princess de Alfred Tennyson
AUTHORS: Ana C Mendes;
PUBLISHED: 2016, SOURCE: Via panorâmica: revista electrónica de estudos anglo-americanos

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TITLE: Salman Rushdie and Translation Full Text
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2015, SOURCE: TEXTUAL PRACTICE, VOLUME: 29, ISSUE: 4

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TITLE: INDIA THROUGH RE-ORIENTALIST LENSES Vicarious Indulgence and Vicarious Redemption
AUTHORS: Mendes, AC; Lau, L;
PUBLISHED: 2015, SOURCE: INTERVENTIONS-INTERNATIONAL JOURNAL OF POSTCOLONIAL STUDIES, VOLUME: 17, ISSUE: 5

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TITLE: Walls and fortresses: Borderscapes and the cinematic imaginary
AUTHORS: Ana Cristina Mendes; John Sundholm;
PUBLISHED: 2015, SOURCE: Transnational Cinemas, VOLUME: 6, ISSUE: 2

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TITLE: Walled in/walled out in the West Bank: Performing separation walls in Hany Abu-Assad’s Omar
AUTHORS: Ana Cristina Mendes;
PUBLISHED: 2015, SOURCE: Transnational Cinemas, VOLUME: 6, ISSUE: 2

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TITLE: Race in the marketplace: Postmodern passing and Ali G
AUTHORS: Mendes, AC;
PUBLISHED: 2014, SOURCE: Passing Interest: Racial Passing in US Novels, Memoirs, Television, and Film, 1990-2010

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