António João Carvalho Cruz
AuthID: R-000-22F
71
TITLE: The first radiographs of works of art in Portugal and the relationship between radiography, conservation and politics
AUTHORS: António João Cruz;
PUBLISHED: 2010, SOURCE: Conservar Património, VOLUME: 11
AUTHORS: António João Cruz;
PUBLISHED: 2010, SOURCE: Conservar Património, VOLUME: 11
72
TITLE: The materials and techniques of polychrome baroque wooden sculpture: three works from Baião, Portugal, studied by an integrated, complementary analytical approach Full Text
AUTHORS: Carolina Barata; António J Cruz; Jorgelina Carballo; Maria E Araújo;
PUBLISHED: 2010, SOURCE: International Journal of Conservation Science, VOLUME: 1, ISSUE: 1
AUTHORS: Carolina Barata; António J Cruz; Jorgelina Carballo; Maria E Araújo;
PUBLISHED: 2010, SOURCE: International Journal of Conservation Science, VOLUME: 1, ISSUE: 1
INDEXED IN: 
Handle
Handle73
TITLE: Editorial
AUTHORS: António João Cruz; Francisca Figueira; Maria João Revez;
PUBLISHED: 2009, SOURCE: Conservar Património, VOLUME: 10
AUTHORS: António João Cruz; Francisca Figueira; Maria João Revez;
PUBLISHED: 2009, SOURCE: Conservar Património, VOLUME: 10
74
TITLE: The colours of a 16th century panel painting, from the church of Pavia (Mora, Portugal), attributed to Francisco João
AUTHORS: Helena Pinheiro de Melo; António João Cruz;
PUBLISHED: 2009, SOURCE: Conservar Património, VOLUME: 9
AUTHORS: Helena Pinheiro de Melo; António João Cruz;
PUBLISHED: 2009, SOURCE: Conservar Património, VOLUME: 9
75
TITLE: The materials and techniques used in a baroque sculpture representing Saint Dominic from the Museum of Santa Maria de Lamas
AUTHORS: Carolina Barata; António João Cruz; Jorgelina Carballo; Maria Eduarda Araújo;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 6
AUTHORS: Carolina Barata; António João Cruz; Jorgelina Carballo; Maria Eduarda Araújo;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 6
76
TITLE: In search for the original image: Luciano Freire and the theory and practice of painting restoration in Portugal circa 1900
AUTHORS: António João Cruz;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 5
AUTHORS: António João Cruz;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 5
77
TITLE: Pigments and dyes of the works of art in Portugal, in the beginning of the 17th century, according to the Filipe Nunes' treatise on painting
AUTHORS: António João Cruz;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 6
AUTHORS: António João Cruz;
PUBLISHED: 2007, SOURCE: Conservar Património, VOLUME: 6
78
TITLE: About the use and disuse of some terms related to the materials constituents of works of art
AUTHORS: António João Cruz;
PUBLISHED: 2006, SOURCE: Conservar Património, VOLUME: 3-4
AUTHORS: António João Cruz;
PUBLISHED: 2006, SOURCE: Conservar Património, VOLUME: 3-4
79
TITLE: Columbano's painting accordingly to its paintboxes
AUTHORS: António João Cruz;
PUBLISHED: 2005, SOURCE: Conservar Património, VOLUME: 1
AUTHORS: António João Cruz;
PUBLISHED: 2005, SOURCE: Conservar Património, VOLUME: 1
80
TITLE: Changing images: the panels of Saint Mary church, at Tavira, founded at the chapel of Saint Peter, and the problems raised by its restoration and scientific study
AUTHORS: António João Cruz;
PUBLISHED: 2005, SOURCE: Conservar Património, VOLUME: 2
AUTHORS: António João Cruz;
PUBLISHED: 2005, SOURCE: Conservar Património, VOLUME: 2
