11
TITLE: Exploring Music Collections. An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks
AUTHORS: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: Companion Proceedings of the 25th International Conference on Intelligent User Interfaces
INDEXED IN: CrossRef: 1
IN MY: ORCID
12
TITLE: Camel: Carnatic percussion music generation using n-gram models
AUTHORS: Konstantinos Trochidis; Carlos Guedes; Akshay Anantapadmanabhan; Andrija Klaric;
PUBLISHED: 2019, SOURCE: SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
INDEXED IN: Scopus
IN MY: ORCID
13
TITLE: Modeling carnatic rhythm generation: A data driven approach based on rhythmic analysis
AUTHORS: Carlos Guedes; Konstantinos Trochidis; Akshay Anantapadmanabhan;
PUBLISHED: 2018, SOURCE: Proceedings of the 15th Sound and Music Computing Conference: Sonic Crossings, SMC 2018
INDEXED IN: Scopus
IN MY: ORCID
14
TITLE: Composing and Improvising. In Real Time
AUTHORS: Carlos Guedes;
PUBLISHED: 2018, SOURCE: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), VOLUME: 11265 LNCS
INDEXED IN: Scopus CrossRef
IN MY: ORCID
15
TITLE: Real-time composition, why it still matters: A look at recent developments and potentially new and interesting applications
AUTHORS: Carlos Guedes;
PUBLISHED: 2017, SOURCE: 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week
INDEXED IN: Scopus
IN MY: ORCID
16
TITLE: Five Perspectives on Musical Rhythm
AUTHORS: Juan P Bello; Robert Rowe; Carlos Guedes; Godfried Toussaint;
PUBLISHED: 2015, SOURCE: Journal of New Music Research, VOLUME: 44, ISSUE: 1
INDEXED IN: Scopus CrossRef: 4
IN MY: ORCID
17
TITLE: A computer-mediated interface for jazz piano comping
AUTHORS: Dias, R; Guedes, C; Marques, T;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXED IN: Scopus
IN MY: ORCID
18
TITLE: Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition
AUTHORS: Bernardes, G ; Davies, MEP ; Guedes, C; Pennycook, B;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXED IN: Scopus DBLP
IN MY: ORCID
20
TITLE: Optical music recognition: state-of-the-art and open issues
AUTHORS: Ana Rebelo ; Ichiro Fujinaga; Filipe Paszkiewicz; André R S Marçal ; Carlos Guedes; Jaime S Cardoso ;
PUBLISHED: 2012, SOURCE: Int. J. Multim. Inf. Retr., VOLUME: 1, ISSUE: 3
INDEXED IN: Scopus DBLP CrossRef: 154
IN MY: ORCID
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