21
TÍTULO: Harmonic mixing based on roughness and pitch commonality
AUTORES: Gebhardt, R; Davies, MEP ; Seeber, B;
PUBLICAÇÃO: 2015, FONTE: 18th International Conference on Digital Audio Effects, DAFx 2015 in DAFx 2015 - Proceedings of the 18th International Conference on Digital Audio Effects
INDEXADO EM: Scopus
NO MEU: ORCID
22
TÍTULO: AutoMashUpper: Automatic Creation of Multi-Song Music Mashups
AUTORES: Matthew E P Davies ; Philippe Hamel; Kazuyoshi Yoshii; Masataka Goto;
PUBLICAÇÃO: 2014, FONTE: IEEE-ACM TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING, VOLUME: 22, NÚMERO: 12
INDEXADO EM: Scopus WOS DBLP CrossRef: 22
NO MEU: ORCID | DBLP
23
TÍTULO: Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition
AUTORES: Bernardes, G ; Davies, MEP ; Guedes, C; Pennycook, B;
PUBLICAÇÃO: 2014, FONTE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXADO EM: Scopus DBLP
NO MEU: ORCID | DBLP
24
TÍTULO: Evaluating the Evaluation Measures for Beat Tracking PDF
AUTORES: Matthew E P Davies ; Sebastian Böck;
PUBLICAÇÃO: 2014, FONTE: Proceedings of the 15th International Society for Music Information Retrieval Conference, ISMIR 2014, Taipei, Taiwan, October 27-31, 2014
INDEXADO EM: DBLP
NO MEU: ORCID | DBLP
25
TÍTULO: Improvasher: A Real-Time Mashup System for Live Musical Input PDF
AUTORES: Matthew E P Davies ; Adam M Stark; Fabien Gouyon; Masataka Goto;
PUBLICAÇÃO: 2014, FONTE: 14th International Conference on New Interfaces for Musical Expression, NIME 2014, London, United Kingdom, June 30 - July 4, 2014
INDEXADO EM: DBLP
NO MEU: ORCID | DBLP
26
TÍTULO: Multi-Feature Beat Tracking
AUTORES: Jose R Zapata; Matthew E P Davies ; Emilia Gomez;
PUBLICAÇÃO: 2014, FONTE: IEEE-ACM TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING, VOLUME: 22, NÚMERO: 4
INDEXADO EM: Scopus WOS DBLP CrossRef: 10
27
TÍTULO: Real-time manipulation of syncopation in audio loops
AUTORES: Cocharro, D; Sioros, G; Caetano, M ; Davies, MEP ;
PUBLICAÇÃO: 2014, FONTE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXADO EM: Scopus DBLP
NO MEU: ORCID | DBLP
28
TÍTULO: Real-time percussive beat tracking
AUTORES: Robertson, A; Davies, M ; Stark, A;
PUBLICAÇÃO: 2014, FONTE: 53rd AES International Conference 2014: Semantic Audio in Proceedings of the AES International Conference
INDEXADO EM: Scopus
NO MEU: ORCID
29
TÍTULO: Syncopation creates the sensation of groove in synthesized music examples  Full Text
AUTORES: George Sioros; Marius Miron; Matthew Davies ; Fabien Gouyon; Guy Madison;
PUBLICAÇÃO: 2014, FONTE: FRONTIERS IN PSYCHOLOGY, VOLUME: 5, NÚMERO: SEP
INDEXADO EM: Scopus WOS CrossRef: 32
NO MEU: ORCID
30
TÍTULO: AN OPEN-SOURCE DRUM TRANSCRIPTION SYSTEM FOR PURE DATA AND MAX MSP
AUTORES: Marius Miron; Matthew E P Davies ; Fabien Gouyon ;
PUBLICAÇÃO: 2013, FONTE: IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP) in 2013 IEEE INTERNATIONAL CONFERENCE ON ACOUSTICS, SPEECH AND SIGNAL PROCESSING (ICASSP)
INDEXADO EM: Scopus WOS DBLP CrossRef: 3
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