11
TÍTULO: Exploring Music Collections. An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks
AUTORES: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLICAÇÃO: 2020, FONTE: Companion Proceedings of the 25th International Conference on Intelligent User Interfaces
INDEXADO EM: CrossRef: 1
NO MEU: ORCID
12
TÍTULO: Camel: Carnatic percussion music generation using n-gram models
AUTORES: Konstantinos Trochidis; Carlos Guedes; Akshay Anantapadmanabhan; Andrija Klaric;
PUBLICAÇÃO: 2019, FONTE: SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
INDEXADO EM: Scopus
NO MEU: ORCID
13
TÍTULO: Modeling carnatic rhythm generation: A data driven approach based on rhythmic analysis
AUTORES: Carlos Guedes; Konstantinos Trochidis; Akshay Anantapadmanabhan;
PUBLICAÇÃO: 2018, FONTE: Proceedings of the 15th Sound and Music Computing Conference: Sonic Crossings, SMC 2018
INDEXADO EM: Scopus
NO MEU: ORCID
14
TÍTULO: Composing and Improvising. In Real Time
AUTORES: Carlos Guedes;
PUBLICAÇÃO: 2018, FONTE: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), VOLUME: 11265 LNCS
INDEXADO EM: Scopus CrossRef
NO MEU: ORCID
15
TÍTULO: Real-time composition, why it still matters: A look at recent developments and potentially new and interesting applications
AUTORES: Carlos Guedes;
PUBLICAÇÃO: 2017, FONTE: 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week
INDEXADO EM: Scopus
NO MEU: ORCID
16
TÍTULO: Five Perspectives on Musical Rhythm
AUTORES: Juan P Bello; Robert Rowe; Carlos Guedes; Godfried Toussaint;
PUBLICAÇÃO: 2015, FONTE: Journal of New Music Research, VOLUME: 44, NÚMERO: 1
INDEXADO EM: Scopus CrossRef: 4
NO MEU: ORCID
17
TÍTULO: A computer-mediated interface for jazz piano comping
AUTORES: Dias, R; Guedes, C; Marques, T;
PUBLICAÇÃO: 2014, FONTE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXADO EM: Scopus
NO MEU: ORCID
18
TÍTULO: Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition
AUTORES: Bernardes, G ; Davies, MEP ; Guedes, C; Pennycook, B;
PUBLICAÇÃO: 2014, FONTE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXADO EM: Scopus DBLP
NO MEU: ORCID
20
TÍTULO: Optical music recognition: state-of-the-art and open issues
AUTORES: Ana Rebelo ; Ichiro Fujinaga; Filipe Paszkiewicz; André R S Marçal ; Carlos Guedes; Jaime S Cardoso ;
PUBLICAÇÃO: 2012, FONTE: Int. J. Multim. Inf. Retr., VOLUME: 1, NÚMERO: 3
INDEXADO EM: Scopus DBLP CrossRef: 154
NO MEU: ORCID
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