António de Sousa Dias de Macedo


AuthID: R-000-201

Publicações a aguardarem confirmação

1
TITLE: '<i>Ce desert est faux</i>': Thoughts on Restaging Constanca Capdeville's Scenic Works  Full Text
AUTHORS: Dias, Antonio de Sousa;
PUBLISHED: 2023, SOURCE: CONTEMPORARY MUSIC REVIEW, VOLUME: 42, ISSUE: 2
INDEXED IN: Scopus WOS CrossRef
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2
TITLE: Analyse créative en recherche-création : trois exemples d’appropriation à partir du recodage d’Inharmonique de Jean-Claude Risset
AUTHORS: António de Sousa Dia; Alain Bonardi; Joao Svidzinski;
PUBLISHED: 2022, SOURCE: Revue Francophone Informatique et Musique, VOLUME: 1, ISSUE: 1
INDEXED IN: CrossRef
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3
TITLE: Création et développement de la version interactive et temps réel d’Inharmonique (1977) de Jean-Claude Risset
AUTHORS: Alain Bonardi; Joao Svidzinski; António de Sousa Dia;
PUBLISHED: 2022, SOURCE: Revue Francophone Informatique et Musique, VOLUME: 1, ISSUE: 1
INDEXED IN: CrossRef
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4
TITLE: Documental expandido. El caso de Natureza morta/Stilleben
AUTHORS: Susana De Sousa Dias; António De Sousa Dias; Melissa Mutchinick;
PUBLISHED: 2020, SOURCE: Arkadin, ISSUE: 9
INDEXED IN: CrossRef
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5
TITLE: Case studies in live electronic music preservation : Recasting Jorge Peixinho's Harmónicos (1967-1986) and Sax-Blue (1984-1992)  Full Text
AUTHORS: António De Sousa Dias;
PUBLISHED: 2009, SOURCE: Journal of Science and Technology of the Arts, VOLUME: 1, ISSUE: 1
INDEXED IN: CrossRef: 3
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6
TITLE: KITTy: A package for external patches communication management in Max/MSP - A progress report
AUTHORS: António De Sousa Dias; Paulo Ferreira Lopes;
PUBLISHED: 2005, SOURCE: International Computer Music Conference, ICMC 2005
INDEXED IN: Scopus
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